• Advance tickets guarantee entry to the show.
  • They are general admission only and DO NOT guarantee seating.
  • For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
  • All shows are 21+ unless otherwise noted.
• Tickets ARE NOT mailed to you.
  • A NON-REFUNDABLE $2.50 per ticket service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
  • All Tickets purchased through the web site are NON-REFUNDABLE.
  • All tickets are non-transferrable.
  • The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door- if you are buying tickets for someone else, you must indicate their name in these fields.
  • Advance tickets are only available through LincolnHallChicago.com (until 5 pm day of show) and JamUSA.com when noted. Lincoln Hall does not have a physical box office. Walk-up ticket purchases are only available at Lincoln Hall beginning one hour before listed show time unless the show is sold out.

Fri. Mar 19 2010

• foursquare

The Right Now (Record Release)

VertiKal

Weber Band

Friday, March 19 2010 9:00 PM
18+ $10.00

Lincoln Hall

Home is the feeling that bubbles up irrepressibly inside of you when you arrive exactly where you belong. Coincidentally, the feeling that you get when you listen to The Right Now is awfully similar.

The Right Now plays soul music, and soul music is all about feeling; not style, not fashion, but emotion. The band’s new album Carry Me Home, set to be released on March 3, 2010, lives within the four walls erected by the arresting lead vocalist Stefanie Berecz, the stellar songcraft of Brendan O’Connell, the spot-on horns and layers of back-up vocals, and a solid bedrock of rhythm.

Stefanie Berecz’s voice is what takes the songs on Carry Me Home from infectious to revelatory. Nowhere is that more evident than on the album’s title track. Begun in a hushed, delicate tone, Berecz weaves a tender lullaby, gradually building in intensity but never mindlessly belting. The band matches her every step of the way. The Right Now is tighter than tight, at times functioning almost as a single instrument rather than a collection of players; never overplaying, always exerting effortless control over its dynamics.

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