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  • Lincoln Hall is located at 2424 N. Lincoln Ave. in Chicago, IL.

  • Advance tickets guarantee entry to the show.
    • They are general admission only and DO NOT guarantee seating.
    • For the best seats/position in the music room please arrive 30 minutes prior to show time to pick-up your tickets.
    • All shows are 21+ unless otherwise noted.
  • Tickets ARE NOT mailed to you.
    • A NON-REFUNDABLE service charge will be added to the purchase price of each ticket - in the instance of a show cancellation, this fee will not be returned.
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    • Advance tickets are only available through LincolnHallChicago.com (until 5 pm day of show) and JamUSA.com when noted. Lincoln Hall does not have a physical box office. Walk-up ticket purchases are only available at Lincoln Hall beginning one hour before listed show time unless the show is sold out.
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Wed. Dec 07 2011
93XRT's The Big Beat welcomes... Buy on iTunes

9:00 PM   18+  

Lincoln Hall
Jam USA button

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:QTY

The War on Drugs' "Slave Ambient" received Best New Music on Pitchfork

Philadelphia's The War on Drugs, the vehicle of Adam Granduciel — frontman, rambler, pied piper guitarist and apparent arranger-extraordinaire, is set to release Slave Ambient August 16th on Secretly Canadian.

On their debut, the life-affirming Wagonwheel Blues, and the follow-up EP, Future Weather, The War on Drugs seemed obsessed with disparate ideas, with building uncompromised rock monuments from pieces that may have seemed like odd pairs. Folk-rock marathons come damaged by drum machines. Electronic and instrumental reprises precede songs they’ve yet to play, and Dr. Seuss becomes lyrical motivation for bold futuristic visions. Now, Granduciel has done it again, better than before: Slave Ambient, their proper second album, is a brilliant 47-minute sprawl of rock ’n’ roll, conceptualized with a sense of adventure and captured with seasons of bravado.

Slave Ambient features a team of Philadelphia's finest musicians, including multi-instrumentalists Dave Hartley and Robbie Bennett, and drummer Mike Zanghi. Recorded throughout the last four years at Granduciel's home studio in Philly, Jeff Ziegler's Uniform Recording and Echo Mountain in Asheville, NC, the album puts the weirdest influences in just the right places. Synthesizers fall where you might expect more electric guitars (and vice versa); country-rock sidles up to the warped extravagance of '80s pop. Instant classic "Baby Missiles" is part Spingsteen fever dream, part motorik anthem. "Original Slave" might sound like a hillbilly power drone, but "City Reprise #12" suggests Phil Collins un-retiring to back Harmonia. "I Was There" is Harvest rebuilt by some selection of psychedelic all-stars, while the shuffling, sleepy opener "Best Night" offers a band with too many ideas to be in a hurry. During the mid-album centerpiece "Come to the City," Granduciel howls and moans, "All roads lead to me/ I've been moving/ I've been drifting." Indeed, however unlikely that might seem, all these sounds arrive cohesively in one unmistakable place. Every song on Slave Ambient is instantly identifiable and infinitely intricate, a latticework of ideas and energies building into mile-high rock anthems.

Tags | 18+ | Follow | @WarOnDrugsJams | @LincolnHall |
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